M
mpm
Guest
On Sunday, January 19, 2020 at 8:35:18 AM UTC-5, Bill Sloman wrote:
Then what about CMOS imaging sensors used in digital cameras?
In general, I find photos taken under fluorescent lighting unappealing.
Color balancing (with physical filters, and/or light modifiers for strobes, etc..) can be problematic with fluorescent (and I presume CFL) as the color temperature can be all over the place. Same is true for mercury vapor lights.
Fluorescent lights combined with higher shutter speed can also lead to color cast problems, and light/dark exposure "bands" as the shutter curtain captures the falling intensity cycle of the light source.
Just something to think about.
As a hobbyist photographer, I am not sad that LED's have made CFL's obsolete.
Part of that, no doubt, is laziness on my part, as I'm sure professional photographers could deal with any scene lighting imaginable. Even if they just use lots of expensive artificial lights to overcome the problem.
Of course the test of colour rendition is the human, which has three different colour sensitive pigments in the cone cells in the retina, and rhodopsin in the rod cells, which is only active at very low light levels.
There's not a lot of point in getting too fussy about the spectral content of your light source, when the detectors in your eyes are sensitive over relatively wide spectral intervals, with a lot of overlap in their ranges.
Then what about CMOS imaging sensors used in digital cameras?
In general, I find photos taken under fluorescent lighting unappealing.
Color balancing (with physical filters, and/or light modifiers for strobes, etc..) can be problematic with fluorescent (and I presume CFL) as the color temperature can be all over the place. Same is true for mercury vapor lights.
Fluorescent lights combined with higher shutter speed can also lead to color cast problems, and light/dark exposure "bands" as the shutter curtain captures the falling intensity cycle of the light source.
Just something to think about.
As a hobbyist photographer, I am not sad that LED's have made CFL's obsolete.
Part of that, no doubt, is laziness on my part, as I'm sure professional photographers could deal with any scene lighting imaginable. Even if they just use lots of expensive artificial lights to overcome the problem.