D
Don
Guest
Don Y wrote:
Your question about a one cent following note difference perception is
interesting. And, it needs to be followed up by me, so to speak.
For some unknown reason, the only thing to truly satisfy me is to
tune instruments by ear.
Danke,
--
Don, KB7RPU, https://www.qsl.net/kb7rpu
There was a young lady named Bright Whose speed was far faster than light;
She set out one day In a relative way And returned on the previous night.
Don wrote:
Don Y wrote:
Don wrote:
Don Y wrote:
Don wrote:
Don Y wrote:
bitrex wrote:
snip
Yeah I don\'t quite get it, either. My rack of synthesizers can each play one
voice of the Maple Leaf Rag via MIDI and they all stay synced together really
How is \"really well\" defined? In the domain of human auditory perception?
In this case, isn\'t \"really well\" defined as an absence of sour note(s)?
That assumes the synthesis uses the same clock as timing. I think the
discussion here has been wrt durations/intervals.
How sensitive are *your* ears to noticing small differences in pitch,
absence a comparative reference? Can you discern a difference of a few
cents (\"perfect pitch\")?
Can\'t everyone\'s ears (except perhaps the autistic tone-deaf and such)
hear a sour note relative to the preceding note? Do you need to name a
note (perfect pitch) in order to hear its sourness?
Perfect pitch is more than just \"naming a note\".
It\'s all but impossible for me personally to ignore the sourness of
cringeworthy, awkward note(s). Sour notes make me want to get out of
earshot.
How \"sour\" does the note have to be before it is perceptible, as such.
A cent? Two? Fifty? A semitone?? (about a 25 cents is typical for
the average, non-musician, listener to be able to detect -- without
context; i.e., if the \"previous note\" was similarly sour, your estimation
of the correctness of the following note can perceive both as correct...
like singing in an entirely different *key*!)
https://neurosciencenews.com/pitch-detection-music-21087/
This is a reference note (middle C) followed by the same note \"soured\"
by 12 cents:
https://en.wikipedia.org/wiki/File:Sines_12_cent_difference.wav
Here\'s *one* cent difference:
https://en.wikipedia.org/wiki/File:Sines_1_cent_difference.wav
And 24 cents (about the point of \"normal\" perception):
https://en.wikipedia.org/wiki/File:Sines_24_cent_difference.wav
If your device\'s *timing* was off by 0.05%, would that be consequential?
Very interesting information. Thank you.
It\'s easy for me to hear the one cent difference, how about you? My
audio perception comes in handy when it\'s time to tune a keyboard. Some-
times musicians purposefully vary tones by a few cents in order to
produce vibrato.
Could you hear a middle C \"soured\" by one cent when it follows a
(correct) C-sharp immediately preceding it? Or, vice versa?
*I* can\'t. My threshold is closer to 10 cents and rely on electronic
devices when tuning instruments.
And, if every note was \"off key\" by 10 cents, I\'d not recognize the
tony.
In regards to your 0.05% device timing question, the answer is: it
depends. A 0.05% device timing variance in my Power Bank Keepalive:
https://crcomp.net/mp3mod/index.php
for instance, is inconsequential.
In the context of this thread, it likely has an impact. A cent is
about 500PPM (though in the frequency domain)
Your question about a one cent following note difference perception is
interesting. And, it needs to be followed up by me, so to speak.
For some unknown reason, the only thing to truly satisfy me is to
tune instruments by ear.
Danke,
--
Don, KB7RPU, https://www.qsl.net/kb7rpu
There was a young lady named Bright Whose speed was far faster than light;
She set out one day In a relative way And returned on the previous night.