D
Don
Guest
Les Cargill wrote:
<snip>
My much older, late partner used to play saxophone in High School in the
1950s. He belonged to an Illinois union and said you had to sight read
sheet music to join the union.
It was the big band era. To keep costs down, the band\'s core, of say
six musicians, would tour and then hire local union musicians for a one
night stand in order to fill out the big band.
There\'s a Muscle Shoals studio interview somewhere out on the Inet. In
it one of the sessions players talks about how he played by ear - at
first. Until someone told him he needed to wise-up and learn how to
sight read in order to earn the easiest money.
My church\'s two volume songbook contains 634 songs. And a different mix
is played each weekend. It\'s best to simply sight read the songs, as
needed.
Humble symphony orchestras work it about the same. Part-time musicians
pick up their sheet music a day or two before a concert. There\'s simply
not enough available time to \"play a piece hundreds of times to get it
right.\"
Danke,
--
Don, KB7RPU, https://www.qsl.net/kb7rpu
There was a young lady named Bright Whose speed was far faster than light;
She set out one day In a relative way And returned on the previous night.
jlarkin@highlandsniptechnology.com wrote:
Les Cargill wrote:
jlarkin@highlandsniptechnology.com wrote:
Phil Hobbs wrote:
snip
Phil Hobbs
Mathematicians often like music. In my experience, music fandom is
negatively correlated to engineering design skill. Different brain
structure or something.
Engineering is composition. Composition is the thin edge of the musical
wedge. Musicianship is different; it\'s pattern identification. As is
composition but in a different way. But it is all the same thing.
It all depends on which wall you prefer to have your back against.
I\'ve always wondered about musicians. They have to play a piece
hundreds of times to get it right.
Some do; some don\'t. Session players from back when studio time
was the dominant cost probably played the parts on a song you later
heard on the radio on the first take.
Some have surely performed
something thousands of times. Don\'t they get bored? Apparently not.
There\'s too broad a spectrum to generalize. Some forms are better for
people with mild forms of OCD.
I design something, finish, and then want to design something entirely
different.
It depends on boredom thresholds.
Much does.
<snip>
My much older, late partner used to play saxophone in High School in the
1950s. He belonged to an Illinois union and said you had to sight read
sheet music to join the union.
It was the big band era. To keep costs down, the band\'s core, of say
six musicians, would tour and then hire local union musicians for a one
night stand in order to fill out the big band.
There\'s a Muscle Shoals studio interview somewhere out on the Inet. In
it one of the sessions players talks about how he played by ear - at
first. Until someone told him he needed to wise-up and learn how to
sight read in order to earn the easiest money.
My church\'s two volume songbook contains 634 songs. And a different mix
is played each weekend. It\'s best to simply sight read the songs, as
needed.
Humble symphony orchestras work it about the same. Part-time musicians
pick up their sheet music a day or two before a concert. There\'s simply
not enough available time to \"play a piece hundreds of times to get it
right.\"
Danke,
--
Don, KB7RPU, https://www.qsl.net/kb7rpu
There was a young lady named Bright Whose speed was far faster than light;
She set out one day In a relative way And returned on the previous night.