T
tony sayer
Guest
In article <495EF5C0.E2464EA4@hotmail.com>, Eeyore <rabbitsfriendsandrel
ations@hotmail.com> scribeth thus
Apart from providing the -return path- for the current sent over the
balanced pair
...
And the last time I came across a centre tapped transformer
Tony Sayer
ations@hotmail.com> scribeth thus
Stuart wrote:
Eeyore <rabbitsfriendsandrelations@hotmail.com> wrote:
High-fidelity Microphone
" Common uses include matching the relatively low 2K ohm output
impedance of a microphone to an amplifierâs much higher line input
impedance of 10K ohms. Studios commonly use the three terminal âXLRâ
type of connector which is a balanced connection method with a terminal
for a center tap. A separate ground terminal, tied to the XLR
connectorâs case is almost always present. The center tap may be used to
phantom-feed a small amount of current for powering a pre-amp or active
âcondenserâ microphone."
LMAO !
You mean you didn't know that either?
Ok, a typical dynamic microphone is often nearer 150-300 ohms output
Rather different to 2k I think you'll agree.
impedence and Ribbons can be as low as 50 Ohm but otherwise......
Ribbons are FAR lower. Maybe 50 ohms AFTER the transformer !
And Pin 1 on an XLR is ALWAYS the cable shield. It may also be GROUND -
but
that's another story. It certainly isn't used to provide phantom power
under
ANY circumstances.#
Apart from providing the -return path- for the current sent over the
balanced pair
And the last time I came across a centre tapped transformer
--in pro-audio was 35 years ago. It caused a bloody nuisance too. Modern
balanced audio circuits are 'floating'. The centre tap provides ZERO
advantage.
I now expect you to make an idiot of yourself trying to refute that one.
Graham
Tony Sayer