W
Walter Harley
Guest
Perhaps y'all can help me with a mystery. All electrolytic capacitors have
a "working voltage" rating. The question is, what are the consequences of
exceeding that voltage? Now, before you jump to the obvious answers, read
on:
Audio devices commonly have opamp-based output stages, followed by a DC
blocking cap. The rating of the cap is more often than not either 16V or
25V, probably because of the typical +/-15V supply rails; the polarity
orientation of the cap varies, or rarely it may be bipolar. A typical
example would be the circuit at http://www.rane.com/pdf/old/pe15sch.pdf
(chosen for no other reason than that I used one last night).
Now, balanced outputs from audio devices often get hooked up to mixer inputs
that are expecting to see microphones. And those inputs often are supplied
with phantom power, which is equivalent to a 48V DC source in series with
6.8k. (An example, again from the excellent and helpful Rane web site, is
http://www.rane.com/pdf/ms1bsch.pdf.)
So, if one plugs a typical balanced output into a typical phantom-supplied
mic input, as is very frequently done, we get this circuit, where I have
been optimistic about the polarity of the capacitor:
6.8k
___
.--|___|--.
| | +
--- ### 15uF
- 48v --- 25V
| |
'---------'
QUESTION: WHY DOESN'T THIS BLOW UP??
Just for grins, I've got this precise circuit sitting there on my test bench
right now. I measured the cap after about 2.5 hours and its ESR and
capacitance were unchanged. I'll leave it running for a few days and
measure again. But I already know that a gazillion musicians and audio
engineers get away with this on a daily basis.
So, why does this work, and for how long should it be expected to work,and
how should the eventual failure manifest? What does the working voltage
rating really mean?
a "working voltage" rating. The question is, what are the consequences of
exceeding that voltage? Now, before you jump to the obvious answers, read
on:
Audio devices commonly have opamp-based output stages, followed by a DC
blocking cap. The rating of the cap is more often than not either 16V or
25V, probably because of the typical +/-15V supply rails; the polarity
orientation of the cap varies, or rarely it may be bipolar. A typical
example would be the circuit at http://www.rane.com/pdf/old/pe15sch.pdf
(chosen for no other reason than that I used one last night).
Now, balanced outputs from audio devices often get hooked up to mixer inputs
that are expecting to see microphones. And those inputs often are supplied
with phantom power, which is equivalent to a 48V DC source in series with
6.8k. (An example, again from the excellent and helpful Rane web site, is
http://www.rane.com/pdf/ms1bsch.pdf.)
So, if one plugs a typical balanced output into a typical phantom-supplied
mic input, as is very frequently done, we get this circuit, where I have
been optimistic about the polarity of the capacitor:
6.8k
___
.--|___|--.
| | +
--- ### 15uF
- 48v --- 25V
| |
'---------'
QUESTION: WHY DOESN'T THIS BLOW UP??
Just for grins, I've got this precise circuit sitting there on my test bench
right now. I measured the cap after about 2.5 hours and its ESR and
capacitance were unchanged. I'll leave it running for a few days and
measure again. But I already know that a gazillion musicians and audio
engineers get away with this on a daily basis.
So, why does this work, and for how long should it be expected to work,and
how should the eventual failure manifest? What does the working voltage
rating really mean?