D
David Eather
Guest
On 17/02/2010 2:28 PM, Jon Kirwan wrote:
output would be between 1.25 watts and 2 watts. BUT that does depend on
what you intend the amp to be. The figures would be correct for
domestic, most PA and semi pro applications. IF the amp was intended for
musicians you would have to allow for the amp to be driven hard into
clipping - an output model more like a 12.7 volt square wave with short
circuit protection. In serious pro audio setups you might even feel it
is appropriate to design the amp to drive full time into short circuits
(not that it would be used that way, but during setup and the enevitable
modifications to the setup outputs can be shorted for long periods of
time).
(disregarding clipping) but the average power output will actually be
much lower - hence you can "skimp" a bit on the supply transformer and
heatsinks - which wrt overheating have very long time constants relative
the the peak output demands.
The parts would need
into a specified load. Ideally this would be 10 watts for an infinite
period of time but for audio amps, due to the nature of the signal, an
"infinite period of time" in practical terms may be as short as a few
seconds.
But if class-A,
the PMPO fiasco - since no advertising department could agree on what
constitutes "music" they used what ever figures looked best - and that
led to the PFPO (peak fantasy power output) fiasco where you just put
anything you like on the box.
For a short time some (better) manufactures used a figure they called
"headroom" which was the maximum possible instantaneous power output
when the power caps are fully charged divided by the long term power
output (10 watts in this case). It was always expressed in db - but was
confusing to the customer - so it disappeared.
OK. My bad.On Thu, 11 Feb 2010 17:51:27 +1000, David Eather
eather@tpg.com.au> wrote:
snip
It is not a big stress. You can always use the junk-box transformer and
if it really isn't suitable replace it latter. For your consideration -
the RMS power of even compressed samples of music is only about 20% of
the peak.
There are a few variations on that figure. RCA did a lot of research in
the area and found that Radio broadcasts of compressed FM signals of
"Rock Music" - an undefined term, was the most demanding at 15%. Some
companies are trying to redefine that. IRF who call the same figure 1/8
of max power (12.5%) - which just happens to make their newest audio
mosfets look really good. It might be the other way around. They may
really believe it, and designed the mosfets to match. I forget where but
some group stated the 20% figure with respect to new modern music
styles. IIRC they were regarded as technically competent in the area and
had no axe to grind or wheelbarrow to push - so I filed the info away.
In any case an overestimate leads to a more conservative design and 5%
is not much. I'd be wary of definition of "modern music" too - badly
played organ music can be a stream of full amplitude waveforms that only
change in frequency at random intervals.
I'd use the junk box transformer and forget about allowing for the
electricity company slackness and just choose good sized caps that are a
reasonable price. I think a learning experience allows for a little
compromise.
Okay. I'm back to the power supply, again. (I'm convinced
that my junkbox unit will work fine -- I think it can hold
maybe 18V minimum under load on each rail. Which seems more
than enough headroom for 12.7V, plus output stage overhead.
I take a little issue with your use of terms in this phrase,
"RMS power of even compressed samples of music is only about
20% of the peak." Power is average and I don't think RMS
applies to power. Volts-to-power is a squared-phenomenon. So
are amps-to-power. RMS makes sense for those two. But power
is an average (integrated Joules divided by time.)
Yes. With a max of a ten watt sine wave output, the average long termSo I believe I have to interpret your meaning as suggesting
that the short-term power required (also an average of some
ill-defined kind, I suppose) when playing music can be a
factor of 5 times more than its long-term average power. You
also mentioned a figure as low as 12.5%, which would suggest
a factor of 8 used as a margin instead of 5.
output would be between 1.25 watts and 2 watts. BUT that does depend on
what you intend the amp to be. The figures would be correct for
domestic, most PA and semi pro applications. IF the amp was intended for
musicians you would have to allow for the amp to be driven hard into
clipping - an output model more like a 12.7 volt square wave with short
circuit protection. In serious pro audio setups you might even feel it
is appropriate to design the amp to drive full time into short circuits
(not that it would be used that way, but during setup and the enevitable
modifications to the setup outputs can be shorted for long periods of
time).
Yes.But a requirement to support short-term power levels is
really just a compliance requirement on the power supply
rails, isn't it?
The other ways around. The design will deliver ten watts maximumSo put another way, if I wanted a long-term average of 10W
output and I wanted the extra margins required to support the
worst case estimate of a factor of 8 for short-term power
bursts, then I'd need to design rails that support a voltage
compliance level substantially higher.
(disregarding clipping) but the average power output will actually be
much lower - hence you can "skimp" a bit on the supply transformer and
heatsinks - which wrt overheating have very long time constants relative
the the peak output demands.
The parts would need
A ten watt amp delivers a sine wave producing 10 watts of output powerto withstand it, too. And because of the much higher rail
voltages that need to be dropped most of the time, the output
BJTs would need to have just that much more capacity to
dissipate.
Or put still another way, assuming that my output swing at
the output stage emitters cannot exceed a magnitude of 15V
and that everything is sized for dissipating 10W, does this
mean the amplifier is a 10W amplifier that can support a peak
of 14W=(15^2/(2*8))? (Which isn't so good, considering your
comments above regarding "music?")
What is meant when one says, '10 watts?'
into a specified load. Ideally this would be 10 watts for an infinite
period of time but for audio amps, due to the nature of the signal, an
"infinite period of time" in practical terms may be as short as a few
seconds.
40W output. I**2 x R. The power supply voltage is approximately constant.This gets worse when I consider the class of operation,
doesn't it? I mean, class-B might be specified as 10W into 8
ohms, but wouldn't that be 20W into 4 ohms?
But if class-A,
If class A, power is 5 watts out with 4 ohms. Current is held constant.it's pretty much 10W no matter what?
Your argument here is reasonable but ..... it is also the beginning ofI'm beginning to imagine amplifiers should be specified as to
their peak output voltage compliance into 8, 6, and 4 ohms;
instantaneous and sustained without damage to the unit. For
example, 35V into 8 ohms instantaneous, 15V sustained. Or
80W instantaneous, 15W sustained. That way, someone might
have some knowledge about how well it might handle _their_
music at, say, 15W average power. And could compare that
against another unit specified as 20V into 8 ohms, 15V
sustained.
the PMPO fiasco - since no advertising department could agree on what
constitutes "music" they used what ever figures looked best - and that
led to the PFPO (peak fantasy power output) fiasco where you just put
anything you like on the box.
For a short time some (better) manufactures used a figure they called
"headroom" which was the maximum possible instantaneous power output
when the power caps are fully charged divided by the long term power
output (10 watts in this case). It was always expressed in db - but was
confusing to the customer - so it disappeared.
Wait till you start talking about speakers!How does one know what they are buying? What a headache.