Insigna TV - GREEN????

[infiniteMPG]

We have an Insigna IS-TV040919 Color TV that has been working fine in
our son's room for years, A few weeks ago he complained about his TV
and when we checked, the color had a greenish-yellow tint to it. We
attempted to adjust the TV and no matter what we tried, the color
stays a greenish tint. We have been in touch with a few local service
places and they said it might be $75-$150 to fix this. Not being sure
what's wrong we're not sure if it's worth fixing or even knowing what
might be wrong.

Any clues as to what's wrong or if there's anything we might can do to
fix it (I'm a mechanical engineer and not afraid to pull electronics
apart).

All help would be greatly appreciated!

 

[Dave Plowman (News)]

In article
<e4368404-6f8a-437f-8811-6aa24ccab724@w39g2000prb.googlegroups.com>,
infiniteMPG <57classic@gmail.com> wrote:

We have an Insigna IS-TV040919 Color TV that has been working fine in
our son's room for years, A few weeks ago he complained about his TV
and when we checked, the color had a greenish-yellow tint to it. We
attempted to adjust the TV and no matter what we tried, the color
stays a greenish tint. We have been in touch with a few local service
places and they said it might be $75-$150 to fix this. Not being sure
what's wrong we're not sure if it's worth fixing or even knowing what
might be wrong.

With many CRT sets - IMHO most noticeable with Trinitron tubes - the red
gun ages more than the others due to being driven harder than the others.
Resulting in the tint you describe.

I dunno your particular model, but a pro monitor has six adjustments for
grey scale tracking, R, G and B foreground (whites) and R, G and B
background (blacks).

Domestic TVs can have one of these colours non adjustable. Some do this
balance automatically.

To find out about your model you need the service instructions - Google
for the model and grey scale tracking. If this happened gradually it can
likely be adjusted. If it happened suddenly it might mean a repair.

--
*Lottery: A tax on people who are bad at math.

Dave Plowman dave@davenoise.co.uk London SW
To e-mail, change noise into sound.

 

[William Sommerwerck]

This is likely due to a weakening of the red and blue guns.

Most sets have controls to set up the picture tube, to adjust for normal
sample-to-sample variation. Assuming your set has these controls, you can do
it yourself. But you have to know how to do it. Once you know what's
involved, it's trivial, but it takes too long to explain it here. Perhaps
someone can point you to a Website with instructions.

PS: Your son should not have a TV in his room. Toss the set.

 

[Bruce Esquibel]

"Dave Plowman (News)" <dave@davenoise.co.uk> wrote:

With many CRT sets - IMHO most noticeable with Trinitron tubes - the red
gun ages more than the others due to being driven harder than the others.
Resulting in the tint you describe.

Hmm, maybe my memory is going with old age but...

1) The main point with the Trinitron tube was it only had one gun, thus
providing a better/different picture because there were fewer color
alignment problems. It used that special shadow mask and was the first crt
to use rectangle shaped color landings instead of the standard round hole
delta pattern everyone else used.

2) The blue gun (in non-trinitron tubes) was the one always pushed the
hardest because it's the color the human eye in most people was the least
sensitive to, so it needed the highest gain.

And I'm sure on #2, I remember the shorting alligator clips used on some of
the color generators that went into the grids of R/G connections on the
picture tube. You would kill off the red/green and bring up the blue just
below the point of blooming, then bring up the red/green to match and set
the gray scale.

Unless Sony came out with a 3 gun Trinitron towards the end (after I got out
of the tv repair biz), all Trinitrons only had a single gun.

-bruce
bje@ripco.com


If anything, red was the minimum of the three.

 

[David]

"Bruce Esquibel" <bje@e4500.ripco.com> wrote in message
news:gio934$i33$1@remote5bge0.ripco.com...

"Dave Plowman (News)" <dave@davenoise.co.uk> wrote:

With many CRT sets - IMHO most noticeable with Trinitron
tubes - the red
gun ages more than the others due to being driven harder
than the others.
Resulting in the tint you describe.

Hmm, maybe my memory is going with old age but...

1) The main point with the Trinitron tube was it only had
one gun, thus
providing a better/different picture because there were
fewer color
alignment problems. It used that special shadow mask and
was the first crt
to use rectangle shaped color landings instead of the
standard round hole
delta pattern everyone else used.
(snip)

Sony advertises one gun in the Trinitron because PART of the
gun is in common with the three colors. It still has three
cathodes and heaters however. Just look at the neck of one
sometime. As far as the drive for the individual colors,
that is determined more by the phosphor efficiencies than
the human eye.

David

 

[Dave Plowman (News)]

In article <gio934$i33$1@remote5bge0.ripco.com>,
Bruce Esquibel <bje@e4500.ripco.com> wrote:

"Dave Plowman (News)" <dave@davenoise.co.uk> wrote:

With many CRT sets - IMHO most noticeable with Trinitron tubes - the
red gun ages more than the others due to being driven harder than the
others. Resulting in the tint you describe.

Hmm, maybe my memory is going with old age but...

1) The main point with the Trinitron tube was it only had one gun, thus
providing a better/different picture because there were fewer color
alignment problems. It used that special shadow mask and was the first
crt to use rectangle shaped color landings instead of the standard round
hole delta pattern everyone else used.

If it only had one gun there'd be only one colour. But if you prefer it's
one gun with three barrels. ;-)

2) The blue gun (in non-trinitron tubes) was the one always pushed the
hardest because it's the color the human eye in most people was the
least sensitive to, so it needed the highest gain.

That matters not - it's the efficiency of the phosphors which determines
the drive needed and red is the least sensitive.

And I'm sure on #2, I remember the shorting alligator clips used on some
of the color generators that went into the grids of R/G connections on
the picture tube. You would kill off the red/green and bring up the blue
just below the point of blooming, then bring up the red/green to match
and set the gray scale.

Different makers use different methods. Early Sony sets had an external
green gain control to make compensating for tune aging easier.

Unless Sony came out with a 3 gun Trinitron towards the end (after I got
out of the tv repair biz), all Trinitrons only had a single gun.

-bruce bje@ripco.com

If anything, red was the minimum of the three.

Not so, IMHO.

--
*If vegetable oil comes from vegetables, where does baby oil come from? *

Dave Plowman dave@davenoise.co.uk London SW
To e-mail, change noise into sound.